This thesis maps the creation of film Adela Has Not Had Her
Supper Yet. The first part covers the history of satire from
mid 50s to 70s. The second part deals with relating satire to
parody movies Lemonade Joe or Horse Opera and Who Wants To Kill
Jessie?. These films, as well as Adela Has Not Had Her Supper
Yet, have topic unknown to the period audience and problematic
classification between parody and satire. These films are
tracked through parodic discourse, which manifested in the
period press reviews. The third part deals with specific of
political parody and export influences on film, through which
the specific circumstances of making of film Adela Has Not Had
Her Supper Yet are explained.